Rock n Roll Graffiti is an occasional column spotlighting engaging music personalities. The column stresses not only rock 'n' roll, but blues, jazz, country and folk. Stories feature a nostalgic look at Michigan's stars, local musicians and beloved rock legends, all from a personal, Upper Peninsula perspective. Music memories are recalled with an entertaining presentation of facts, a dash of opinion, and a bit of humor, all meant to bring a smile or nod of acknowledgment from the reader.
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Michigan's rock history concentrates on the southeastern part of the state, deservedly so. Although the Detroit area produced some great music in the 1960s, the Upper Peninsula's contribution to the rock 'n' roll revolution of the era shouldn't be discounted. Sure the U. P. is isolated and sparsely peopled, with only three percent of the state's population. But, the fact that no band based north of the Mackinac Bridge registered a Top 40 hit in the 1960s was due to a conspiracy of geography, not a lack of quality material. Groups from across the region issued strong 45 rpm singles in their attempts to gain greater recognition and national fame as the rock 'n' roll spirit pervaded the U. P.
There were the Excels and French Church from Marquette, Riot Squad and Prophets of Doom from Escanaba, Rob Kirk and the Word and Renaissance Fair from Sault Ste. Marie, the Henchmen VI and Vigilantes from tiny Ontonagon, Joey Gee and the Come-ons and the Ravelles from Iron Mountain. Menominee had the Benders, Alston had the Rhythm Rockers, Kingsford boasted the Lexington Project, Ironwood contributed Danny and the Galaxies and Houghton touted the Kinetics.
Today, most of these songs are quite hard to come by, but they unashamedly reflect the dreams and aspirations of the the U. P.'s younger generation all those years ago.
So, give a listen and decide for yourself which tunes could have been hits, if only...
Escanaba resident Steve Seymour has published his first book, titled "Rock 'n' Roll Graffiti."
The 300-page volume, which includes dozens of photographs, spotlights engaging music personalities, stressing not only rock, but blues, jazz, country and folk.
Seymour said the soft-cover book surveys the music scene with an "entertaining presentation of facts, a dash of opinion, and a bit of humor, all meant to bring a smile or nod of acknowledgement from the reader."
The writer assembled the book from weekly music columns he wrote which originally appeared in the "That's Entertainment" section of the Daily Press, published every Thursday, beginning in the summer of 2005.
The book takes a nostalgic look at Michigan's stars, local musicians and beloved international rock legends, all from a personal, Upper Peninsula perspective, Seymour noted.
Divided into seven parts, "Rock 'n' Roll Graffiti" contains many music-related stories about the local rock scene of the 60s and the U. P.'s contribution to music over the years. Not stopping there, the author also included thoughts on the many concerts he's seen as well as sections about the blues and the Beatles.
"People have been asking me to put these stories into a book for well over a year now. Virtually every week I've gotten so many great comments and emails. I finally took them seriously," he said.
The book was printed by Instantpublisher.com, the short-run publishing division of Funcraft Publishing Co., located in Collierville, Tenn.
"I hope folks have as much fun reading these stories as I've had writing them," he added. Seymour and his wife Sue own the Record Rack in downtown Escanaba.
Seymour commented: "I've enjoyed rock music and writing since I was a teenager in the 60s. I feel lucky to have been around when rock's greatest stars created their most enduring hits."
A graduate of Central Michigan University, Seymour worked for the Daily Press and Upper Peninsula Commission for Area Progress before going into the retail record business in 1985.
"Rock 'n' roll has always been integral to me and for the last 22 years I've been earning my living from it even though I don't have a musical bone in my body," Seymour noted.