'Lost' star sang in U. P. band

Award-winning actor Terry O'Quinn
(formerly Quinn) sang in a Newberry-based
rock band called Hitchcock Circus.

By STEVE SEYMOUR

A rock band based in the small Upper Peninsula town of Newberry spawned two well-known entertainment industry figures.

Hitchcock Circus provided some early professional experience for both an Emmy-winning actor and a top music arranger.

The quartet consisted of Terry Quinn (vocals), Paul Lavender (Farfisa organ and bass), Bob Robertson ( Gibson Les Paul Jr. guitar) and Daryl Bouchard (drums).

Quinn changed his surname to O'Quinn for his acting career which has included a role on the television series "Lost."


Paul Lavender

Lavender, meanwhile, is a prolific arranger for music publisher Hal Leonard.

While O'Quinn and Lavender have enjoyed decades of success, Hitchcock Circus was active for less than a year, Robertson said.

They played their first gig as the Roaming 5, according to Robertson. "Daryl Bouchard arranged our first job following a basketball game in the high school gym. They asked him the name of the group and we didn't have one so he just made up Roaming 5." The "5th" member of the group was nicknamed "Otto Matic," a reference to their light show, created by student Jeff Sainio.

The group came up with their memorable moniker after O'Quinn saw a track called "Hitchcock Railway" on a Jose Feliciano album and suggested the switch to Hitchcock Circus.


Bob Robertson

"We had a weekly gig at the Newberry Youth Center and also played a number of school dances, wedding receptions and such," Robertson recalled about the band's 1969 heyday.

The guitarist remembered playing a teen club in Curtis called the Silver Dome. "It was considered the big-time for us. Lots of bands from the U. P. and northern Wisconsin played there on weekends. Curtis was a rather hoppin' touristy place in the summer so the place was packed every weekend."

Robertson remembered a wedding reception Hitchcock Circus played in Paradise on July 20, 1969 when Neil Armstrong and Buzz Aldrin walked on the moon. "All of us wanted to watch the historic event so on our breaks we ran down the street to a tavern to watch it on the small TV in the bar."

Like other professional bands, Hitchcock Circus had a business card. Their card carried a three digit telephone number since Newberry was one of last areas to go to dial phones.

Robertson said Hitchcock Circus had a playlist of over 100 songs. "We played many of the hits from the mid-to-late 60s, by CCR, Beatles, Association, Rolling Stones, Classics IV and Gary Puckett." They also catered to the bubblegum crowd, playing hits by 1910 Fruitgum Co., Ohio Express and Lemon Pipers.

"The only original material we wrote were a couple of novelty-type songs. One was totally politically incorrect by today's standards. Since the Newberry High School nickname was the Indians, we did a song called "Un-Gow-A. I don't even remember how it went but I do remember it being quite silly."

Although Lavender wanted Hitchcock Circus to play on a March of Dimes Telethon on WLUC-TV6 in Marquette, "one guy didn't and a couple of us were indifferent," Robertson recalled. The disagreement apparently broke up the band.

Not long after, Lavender left to attend Central Michigan University (CMU) in Mount Pleasant and O'Quinn followed.

Lavender majored in music theory and composition at CMU where he completed his undergraduate and graduate work.

The former Newberry resident has more than 1,000 arrangements and compositions to his credit.

He is vice president of Instrumental Publications for Hal Leonard Corp., the world's largest music publisher.

Lavender and his wife Cheryl live in Brookfield, Wis. with their three children.


From left, Bob Robertson, Kirsten Gustafson
and Terry O'Quinn

O'Quinn, meanwhile, is widely-recognized for portraying John Locke on "Lost," a program broadcast by ABC television.

Born at War Memorial Hospital in Sault Ste. Marie on July 12, 1952, O'Quinn lived in Rudyard until age 7, then moved with his family to Newberry, where he lived until college.

O'Quinn's first acting experience came during plays when he was a student at Newberry High School. He was also cast as Henry IV for a play at CMU during the early 1970s.

The 56-year-old actor made his professional acting debut in a 1980 television movie called "FDR: The Last Year." He added the "O" to his surname because another actor had registered the Terry Quinn name.

He landed minor parts in films and television movies until 1996 when gained fame for playing the title role in the films "The Stepfather" and "The Stepfather II." His acting was praised by critic Roger Ebert.

O'Quinn was also cast as Peter Watts in the television series "Millenium," which ran from 1996-1999.

Best-known for his work on the hit show "Lost," O'Quinn won an Emmy award for Outstanding Supporting Actor in 2007.

During his career, O'Quinn has played in over 30 movies and television shows.

The Terry O'Quinn Fansite reports the actor enjoys playing the guitar and that his favorite artist is Neil Young.

O'Quinn and his wife Lori spend their time between Maryland and Hawaii, depending on when "Lost" is in production. They are the parents of two children.

Hitchcock Circus guitarist Robertson, meanwhile, says he hasn't heard from Daryl Bouchard and that the drummer hasn't attended any class reunions.

Today, Robertson works for the Michigan Commission for the Blind (MCB) in Lansing. A rehabilitation counselor, he is manager of Human Resources, staff development and program evaluation for MCB.

He and his wife Diane are the parents of two grown children and live in Grand Ledge.

With the days of Hitchcock Circus now forty years ago, Robertson says he still "picks up a guitar once in a while for fun."

Hitchcock Circus Rehearsing at Newberry Youth Center


Terry O'Quinn


Paul Lavender


Terry O'Quinn, Bob Robertson and Paul Lavender


Terry O'Quinn, Bob Robertson and Daryl Bouchard

The blues take hold over time

This statue on Beale Street in Memphis,
depicts W. C. Handy, known as the
father of the blues.

By STEVE SEYMOUR

Although I love the blues today, it didn't happen overnight.

As a teenager in the 1960s I was all about rock music. I wanted to hear Jimi Hendrix, the Animals and the Byrds. I liked Creedence Clearwater Revival, Mitch Ryder & the Detroit Wheels and Bob Seger. I couldn't wait for the next hit from the Beatles, Rolling Stones and the Who.

Yes, I heard the occasional single from the great bluesman Jimmy Reed, like "Big Boss Man" and "Bright Lights Big City." B. B. King's "The Thrill Is Gone," made people take notice of the blues in 1970.

With the new decade, I wanted to discover the roots of rock 'n' roll.

To start, I bought a Howlin' Wolf album with a stark black and white cover. In large letters, the jacket said: "This is Howlin' Wolf's new album. He doesn't like it. He didn't like his electric guitar at first either."

For a picture of the Wolf, born Chester Burnett, you had to look at the flip side. That's where the song titles were listed, such as "Spoonful," "Smokestack Lightnin'," "Red Rooster" and so many others. Every track was a classic.

Chess Records in Chicago issued a series of double LPs called "Blues Masters," featuring rare and previously unreleased tracks from their extensive archives. I purchased a set by Sonny Boy Williamson and another by McKinley Morganfield, also known as Muddy Waters.

I discovered that the Rolling Stones took their name from a song Waters recorded in 1950. "Rollin' Stone" is three minutes and five seconds of pure blues. Other gems on the record were "Hoochie Coochie Man," "I Just Want to Make Love to You" and "Got My Mojo Working ."

I became aware that the classic "One Way Out," as performed by popular southern rockers the Allman Brothers, was actually written by Sonny Boy Williamson and Willie Dixon.

Money was short in those days, so I didn't go to many concerts. I always thought it was more important to collect the records. Afterall, concerts end in a few hours, but you can always play your records.

When I was finally able to afford to go to concerts, I went to those which featured the acts I liked as a teen. I saw the Rolling Stones, the Who, Grateful Dead and Bob Seger. Although the Beatles were disbanded, I witnessed performances by Paul McCartney and Ringo Starr. I was delighted to attend a concert by John Fogerty, the man behind CCR. I got backstage to meet Eric Burdon, lead singer of the Animals. I attended a show by Pink Floyd, one of rock's greatest bands.

As my wife Sue and I were busy checking out some of rock's biggest names, we also slipped in a trip to the New Orleans Jazz and Heritage Festival. There we saw the internationally-known bluesman John Lee Hooker, famous for "Boom Boom." He looked quite small, seated on a folding chair, but his guitar-playing and vocals were undeniably huge. Robert Cray, the blues-rocker known for "Smoking Gun," and the Radiators were on the same bill.

On Sept. 27, 1990 the Record Rack, Bay College and WGLQ co-sponsored a concert by guitar ace Jimmy Johnson, bringing Chicago-style blues north to the Upper Peninsula. Johnson's performance was awe-inspiring.

For a 13-month period beginning in 2000, U. P. blues enthusiasts were treated to dozens of extraordinary shows when the Shuffleaires, composed of Escanaba native Jim "Smiley" Lewis, "Big" Al Ek and Mary "Queen Bee" Corbett played around the area. Fans were challenged to guess the origins of the group's cover songs. Sue and I were hooked, attending nearly every show.

The Island Resort and Casino in Harris booked the Fabulous Thunderbirds with Kim Wilson and Kid Ramos in 2000 and the incredible guitar wizard Kenny Wayne Shepherd the following year.

In late May 2001, Sue and I made a pilgrimage to fabled Beale Street in Memphis to stand before a statue of W. C. Handy, known as "Father of the Blues."

But, it wasn't until August, 2001 that I went to my first major blues festival. Local residents Al Mokszycke and Gary Ethier had been attending the Bayfront Blues Festival in Duluth for years and finally persuaded Sue and me to join them. It was a fantastic weekend and we saw many noteworthy blues artists, including Marcia Ball, Candye Kane, Ike Turner and the Kings of Rhythm, Calvin Owens and his Blues Orchestra, Rod Piazza and the Mighty Flyers, the Lamont Cranston Band, and many others.

Sue and I won't forget April 23, 2003. That's when we saw one of the world's greatest bluesmen-- B. B. King-- in Sault Ste. Marie. King amazed us with his singing and guitar playing, although he never did both at once.

By 2004, the Marquette Area Blues Society began hosting an annual festival over Labor Day weekend. Sue and I have attended every one. Performers have included Lonnie Brooks, L'il Ed and the Blues Imperials, Tinsley Ellis, Saffire, Bettye LaVette, Watermelon Slim & the Workers and Tab Benoit, to name a few.

When acoustic blues master John Hammond played at Kaufman Auditorium in Marquette on April 17, 2004, we were able to add another name of the list outstanding bluesmen we've seen.

George Thorogood put on a terrific performance at the Island Resort and casino on May 28, 2005, showing us just why he's at the top of his game.

We saw blues legend Buddy Guy and up-and-comer Jonny Lang on a twin bill at Oneida Casino in Green Bay on Aug. 25, 2005. As Guy walked through the crowd playing his guitar, fans patted his bald head, giving their approval to one of the masters of the blues.

Sue and I couldn't resist visiting the historic Calumet Theatre on June 6, 2008 for a captivating concert by slide guitarist Johnny Winter. His incredible talent was still intact, despite his health problems.

During this decade, Sue and I have seen many great women blues players including Janiva Magness, Rory Block, Ana Popovic, Erin Jaimes, Shemekia Copeland, Sue Foley and Deborah Coleman.

We've seen promising young players like Kenny Wayne Shepherd, Jonny Lang and Anthony Gomes.

And, we've seen some of the giants of the genre such as B. B. King, Buddy Guy, Robert Cray, Johnny Winter and John Lee Hooker.

Actually, we've seen so many blues performers, we can't remember them all.

After attending all those blues shows, I've learned to appreciate the blues community, fans and performers alike.

Blues fans are an accepting and tolerant lot and welcome all interested persons into their community.

The blues family is a diverse one and although there are many types of blues, the music is indeed a universal language.

When I first discovered rock 'n' roll, I didn't realize my favorite sounds could be traced to the blues. In fact, musicologists will tell you all modern music owes a debt to the blues.

Sue and I have met many like-minded friends with a common bond in the blues who consider the music to be a sanctuary.

Don't get me wrong, I still like vintage rock 'n' roll, but new music just doesn't cut it for me anymore.

In fact, the blues might be the last bastion of cool for those music fans, like me, who started out liking rock 'n' roll all those years ago.

Although I love the blues today, it didn't happen overnight.

Local acts issue debut discs

Veteran Delta County musician Larry Brown
has just released his first compact disc,
"It's Just Me."

By STEVE SEYMOUR

Debut compact discs have been released by a coterie of Delta County musicians.

Just out is a CD from Larry Brown, known for playing in area rock and country bands for more than four decades.

On "It's Just Me," Brown sings six original compositions while his daughter Cera performs lead vocals on two cover songs.

Brown recorded the disc in his basement, playing lead, bass and rhythm guitar parts himself. The disc also spotlights his lead and harmony vocals.

Two songs can be traced to 1972 when Brown was in a group called Round Island. "9th Street Earthquake" is about a "crazy dream" Brown had, while "Joshua" is a haunting tribute to his son who died of double pneumonia before his first birthday.

Daughter Cera Jean puts her spin on "The Rose," originally performed by Bette Midler; and "Black Velvet," a number one hit for Alannah Myles in 1990.

Brown recorded his disc at his home "mini studio" over the period of a month with the help of his son Larry.

Besides Round Island, music fans may remember Brown playing in Bounty Hunter, Redneck Railroad, Bear Cat Stew and Prophets of Doom. His first band was Teens Beat, which he joined as a youngster.

With all that experience you'd expect some solid guitar playing from Brown and he delivers in fine form.

Brown dedicated his new CD to his father, and in memory of his mother.

"I wanted some proof that I existed," Brown said about finally issuing his first CD.

Despite a bad back responsible for his retiring from live performances, Brown is considering a few solo shows to promote his new CD.

The musician lives in Ford River with his wife Debbi.

Meanwhile, area resident Craig Bonno has been especially prolific musically. He has issued a CD under his own name and also appears on the first release by his band, Intrusion.

Bonno's lightning fast guitar work takes center stage on his instrumental solo effort, "Cool Fire On Hot Blacktop."

An accomplished guitarist, Bonno played lead, rhythm and bass guitar on his new disc. Following in the footsteps of guitar virtuosos such as Joe Satriani and Steve Vai, Bonno is able to deliver a seemingly endless stream of metallic rifts with ease.

The guitarist's heavy metal talents are also evident on the band disc. Besides Bonno, Intrusion is comprised of Kyle Johnson (vocals, guitar), Terry Pearson (bass), and John Miller (drums).

Featuring seven tracks, the Intrusion CD boasts fierce guitars, throat-ripping vocals and a relentless drum beat. Fans of Metallica, Megadeth and speed metal should like Intrusion.

The quartet is based in Lansing, so Bonno must travel when Intrusion books gigs downstate. Several Upper Peninsula gigs have been booked this summer, however.

When he's not composing or performing, Bonno is a guitar teacher at Jim's Music in Escanaba.

Local band Sore On Sunday is making some noise with their debut compact disc, "Scars Have 2 S's."

Fronted by vocalist and rhythm guitarist Tyler Henderson, Sore on Sunday also includes Eric Nault (lead guitar), J. P. Grenier (bass, vocals) and Jason Kuehl (drums). Since the recording of this CD, guitarist Drew LaVacque has joined the band.

The 11-track disc shows off the group's impressive arsenal of original material such as "Push Comes to Shove," "Crystal Clear" and "Drunk Enough to Dance."

Some of the tracks have received air time on local radio, not an easy achievement when broadcast playlists are highly restricted.

Sore on Sunday have impressed live music patrons with their combination of self-penned songs and select covers of contemporary rock hits by the likes of Green Day, the Killers and Bowling for Soup.

Fans of pop standards should appreciate the first CD by Augie and Almudena.

The duo, actually Augie Peters and Almudena Aguirre, have catered to a local audience, titling their disc "... by Request."

Aguirre puts her vocal interpretations on these mostly-familiar numbers to Peters' guitar accompaniment with pleasant results.

The pair open their disc with "Crazy," Patsy Cline's gigantic country smash from 1961, written by Willie Nelson.

The Mexican song "Besame Mucho," with Peters' Spanish guitar and Aguirre's sweet vocals, may best represent the tone of the thirteen-track album.

While new releases by major artists gain the most media attention, local musicians have shown they have much to offer as well.

'Beatlemania' on horizon, again

This is how their appearance on the Ed Sullivan
Show will be depicted in "The Beatles: Rock Band" music
Video game which will be released Sept. 9. In addition,
the original Beatles albums have been remastered for the
first time since 1987 and will be released on the same day,
promising improved sound quality for fans of the legendary
band.

By STEVE SEYMOUR

Get ready for the re-appearance of Beatlemania.

Although massive public excitement over the Beatles first erupted in the United States more than 45 years ago, their digitally remastered music catalog should cause some renewed frenzy when it's issued on Sept. 9.

On the same date, the Beatles will take aim at a new generation of fans with the release of their own "Rock Band" video game.

Virtually every major act was established in the new digital format before the Beatles and their catalog finally made the leap in 1987. Since then, digital technology has advanced significantly while EMI/ Capitol Records has done nothing to upgrade the sound of those early CDs.

The British band's 13 albums have been re-mastered at London's Abbey Road Studios over the last four years. A dedicated team of engineers did the work using "state of the art recording technology alongside vintage audio equipment, carefully maintaining the authenticity and integrity of the original analog recordings," according to a press release from Apple Corps. In addition, various singles contained on the "Past Masters, Vol. 1 and 2" will be released as a single disc.

Each CD will come with the original British cover art and liner notes, plus newly written liner notes and period photographs of the group. In addition, the CDs will contain a brief documentary DVD about each album. The documentaries contain archival footage, rare photographs and in-studio chat from the Beatles' recording sessions.

The 14 albums, including the first four in stereo for the first time, will be available separately and in a box set. Since the "White Album" comprised two discs, the set will contain 15 pieces.

A second box set will present the collection in monophonic sound. The mono mixes made of the Beatles albums during the 1960s were often significantly different than the stereo mixes and today are sought-after by collectors.

The digital remasters include all the singles and albums the band released from "Please Please Me" in 1963 through "Let It Be" in 1970.

Although the Beatles enjoyed tremendous success in the mid 1990s with their six-disc "Anthology" collection of out-takes and unreleased tracks, no bonus material will be included.

Even the release date (9-9-09) has been creating a buzz among collectors. Some see a connection to the Beatles song "One After 909," while others point to "Revolution 9," the avant- garde sound collage from 1968 which includes the words "number nine" repeated over and over. Certainly either reference could be used in a promotional campaign for the new product.

While older fans will be excited by the release of the reinvigorated Beatles CDs, younger ones may be enticed by the simultaneous release of the band's music-based video game. The highly-anticipated game will be available on Xbox 360, Playstation 3 and Wii.

The music video game was developed by Harmonix Music Systems, published by MTV Games and distributed by Electronic Arts.

Featuring 45 songs by the Beatles, the Rock Band title will allow fans to use guitar, bass, microphone and drums to take a journey through the group's legendary career. Game players may use instruments modeled after those played by John Lennon, Paul McCartney, George Harrison and Ringo Starr.

The four instruments are Lennon's Rickenbacker 325 guitar, McCartney's Hofner bass, Harrison's Gretsch Duo Jet guitar and Starr's Ludwig drum kit.

The game includes virtual depictions of the Beatles playing at the Cavern Club, Ed Sullivan show set, Shea Stadium, Budokan, Abbey Road Studios, the rooftop of Apple Records and elsewhere. For "Octopus' Garden," they play underwater-- something only the Beatles could do. Some "dreamscape" venues were inspired by the Beatles/ Cirque du Soleil show now running in Las Vegas, called "Love."

Tracks contained in the game include "Get Back," "Here Comes the Sun," "Back in the USSR," "I Am the Walrus," "Taxman," "Day Tripper," "I Feel Fine," "I Want To Hold Your Hand," and "I Saw Her Standing There." Early word is that "Twist and Shout," "Hard Day's Night" and "Paperback Writer" are also included.

The song "All You Need Is Love" will be available as downloadable content, with proceeds being donated to the charitable group, Doctors Without Borders. In addition, the entire "Abbey Road" album will be available as downloadable content to gamers.

Rated "T" for teen, the video game will carry a $59.98 pricetag.

Harrison's son Dhani played an integral part in suggesting such a project to the gaming industry and convincing McCartney, Starr and Yoko Ono Lennon to support it.

The young Harrison was also involved in the recent release on compact disc of "Let It Roll: Songs of George Harrison." The disc contains all four of Harrison's chart toppers, as well as many other hits and will presumably serve as an introduction to Harrison's solo catalog for new fans just discovering his music through the Beatles video game. The CD includes live versions of "While My Guitar Gently Weeps," "Something" and "Here Comes the Sun," three of Harrison's greatest Beatles compositions.

Harrison was just 20 years old when the Beatles began their invasion of America with an appearance on the Ed Sullivan Show in February, 1964 to a raucous response soon tagged "Beatlemania" by the news media. In less than six years they sold millions of albums and racked up 21 number one singles in the United States, a feat unmatched to this day.

When the Beatles broke up in 1970, interest in the band and their music only intensified. Lennon's assassination in 1980 by a crazed fan and Harrison's untimely cancer-related passing in 2001 brought renewed attention to the world's greatest rock and roll band.

Their "1" disc, containing 27 chart-topping American and British singles has been a mega-seller around the world since its release in 2000.

For those wishing to legally download Beatles songs from iTunes, that wait is not yet over. Although the Beatles have been negotiating for years with iTunes, Dhani Harrison has suggested the group may offer songs at its own standalone site instead.

With those upcoming remastered CDs and Rock Band video game, it seems the Beatles continue to fascinate us. Full-fledged Beatlemania can't be far behind.

Singles reveal Princeton story

This photo of French Church was published in Kip Brown's 12 O'clock July fanzine in 1989. From left: Princeton Records owner Fred L. Crook, manager Joe Wellington, John Spratto (guitar), Warren MacDonald (drums), Mike Cleary (vocals), Gordon MacDonald (bass).

By STEVE SEYMOUR

Marquette's Princeton Records issued a series of seven-inch singles in the late 1960s, some highly sought by collectors today.

Owned by Fred L. Crook, the Princeton imprint was used on at least seven 45 rpm records, a newly-compiled discography shows.

At the time Crook launched Princeton, independent labels were popping up around the country to service the myriad rock bands spawned by the Beatles and other British Invasion acts.

Crook had been in several bands as a young person and probably saw potential in the burgeoning music scene when he was stationed at K. I. Sawyer Air Force Base in the central Upper Peninsula.

Pooling his money with another entrepreneur, Crook set up shop in a tiny Marquette County community near Gwinn called Princeton. He named his enterprise Princeton as well, apparently unaware a record label in St. Joseph, Michigan, was already using the name.

Like other independent labels, Princeton would sell studio time and other services, providing clients with a number of 45s for a fee.

Princeton's first client was a local rock band called the French Church, comprised of John Spratto (guitar), Mike Cleary (lead vocals), Gordon MacDonald (bass) and Warren MacDonald (drums).

In the winter of 1966, French Church recorded a few tracks at Crook's facility, then based at the Princeton Post Office building, Gordon MacDonald recalled.

Soon, however, Crook moved his studio, called Superior Recording Co., into the basement of a storefront in bustling downtown Marquette, the city which also serves as home to Northern Michigan University.

With the new location, French Church tried recording again, with two new songs. The quartet taped the original compositions, "Without Crying" and "Slapneck 1943," in Crook's subterranean studio during January, 1968.

The tracks were recorded on mono RCA equipment Crook said he obtained from the fabled RCA studio in Nashville, Tennessee, where Elvis Presley, the Everly Brothers and Chet Atkins recorded.

Unfamiliar with how established labels sold their product, Crook assigned different catalog numbers to each side of the French Church disc. Although 45s carried one song on each side, record companies assigned each disc a single catalog number. Crook, however, printed 101 on the label for "Without Crying" and 102 on the "Slapneck 1943" side. Such numbering meant retailers might order both songs, not realizing they were on the same record.

Crook arranged for some of Princeton's work to be completed in Tennessee. Masters were made by Nashville Matrix, while the records were manufactured at a pressing plant called Sound of Nashville, Inc., located at 102 2nd Ave. S. in the state's capital city. The company pressed 500 copies of the French Church single.

Princeton's subsequent release, 45-rpm single 103/104, is a mysteriously unknown entry in the label's discography.

The next single in the series is by Tommy James. This is not the Niles, Michigan native responsible for "Hanky Panky," but instead "Country" Tommy James, the One Man Band.

James recorded the Mel Tillis- Webb Pierce song "A Thousand Miles Ago" and "Auctioneer," by Leroy Van Dyke and Buddy Black. Both songs were arranged by James and produced by Crook. In the label's sequential numbering system, the 45 was given the catalog numbers 105/106.

Sault Ste. Marie's Renaissance Fair rock
band recorded two 45 rpm singles on the Princeton
label during the late 1960s. Group member John
Ordiway, right, pictured with keyboardist Gordie
Moon, wrote and sang "In Wyrd."

Sault Ste. Marie's Renaissance Fair traveled to Marquette to record Princeton's next single. The group was comprised of John Ordiway (guitar, trumpet), Gordie Moon (guitar, keyboards), Greg Myner (drums, sax, guitar, bass), Rob Benjamin (bass, drums), Larry Verrett (guitar, bass), Jim Rogers (bass, guitar), and Larry McGahey (guitar). Everyone contributed vocals.

Now four decades later, McGahey said he doesn't recall just how he heard about Crook's label.

Armed with McGahey's compositions, "Every Moment" and "It's Still Her," Renaissance Fair recorded what became 45 rpm single 107/108. The songs were produced by Crook and published by his Frook Publishing.

A Northern Michigan University student from Dearborn was Crook's next patron. Mike Koda was known as "Cub" or "Cubby" by his friends and fellow students. Koda had some experience in the music business, having recorded in high school with his band, the Del-Tinos.

Koda brought two original songs into Crook's studio, "More Than Me" and the bizarre "Let's Hear a Word (For the Folks in the Cemetery)."

"Did you ever try to eat a gasoline and mustard sandwich?" Koda sang in "Let's Hear a Word." Another lyric surmised, "This song doesn't make a damn bit of sense." In addition, the tune included a wild guitar solo to go with the unusual lyrics.

Koda's first solo record was issued in the spring of 1968 as 109/110, complete with the graphic of a five-pointed crown on the label. Both tracks were produced and published by Crook.

While many residents remember Koda's musical exploits in the Marquette area, the musician decided to drop out of Northern and resume his musical career downstate. He emerged in Ann Arbor as the leader of Brownsville Station and hit the big-time with "Smokin' in the Boys Room."

Apparently happy with their first effort, the eastern U. P. combo Renaissance Fair returned to Marquette for further recording. Larry McGahey had composed another song, "Simple Love," while John Ordiway penned "In Wyrd."

"We rehearsed and recorded all day at Superior Recording Co. with Crook," McGahey recalled. At first satisfied with their work, the band recorded a new version of "The Wyrd," the following day. The second take, deemed superior, was used for the 45, but the band was never able to duplicate the recording's unique sound in concert, McGahey said.

As was usual at Princeton by this time, Crook published and produced both songs. However, he did finally conform to industry standards and assigned this release a single catalog number, 111.

Another group from Sault Ste. Marie, the Executives, taped two cover songs for what was evidently the final single in the Princeton Records discography. The popular combo recorded "Cara Mia," a number four hit for Jay and the Americans in 1965, and "My Special Angel," a number seven smash for the Vogues in 1968.

The resulting single was released as Princeton 112.

Around this time, Crook moved to Wausau, Wisconsin and Princeton Records entered into garage band history.

Although Crook's label was short-lived, the Princeton discography includes some noteworthy songs. "Slapneck 1943" by French Church and "In Wyrd" by Renaissance Fair are sought-after by collectors and have appeared on compilations of 1960s era garage band music. Despite the fact that Cub Koda went on to considerable success as a recording artist, his Princeton sides have never been re-released.

Anka brings 'Las Vegas' to U. P.

Veteran singer-songwriter and Las Vegas
entertainer Paul Anka brought his show to the
Island Resort and Casino last weekend.

By STEVE SEYMOUR

Singer-songwriter Paul Anka brought his hits-laden Las Vegas show to the Island Resort and Casino in Harris last weekend.

With more than 50 charting songs to his credit, Anka had no trouble filling the June 5 and 6 performances with crowd-pleasing material.

A performer since age 12, Anka's first hit was the chart-topping "Diana" from 1957. He continued to score hits in the 50s, 60s, 70s, and 80s.

Besides composing most of his own hits, Anka penned "It Doesn't Matter Anymore" for Buddy Holly and "She's a Lady" for Tom Jones. He wrote the theme for the "Tonight Show Starring Johnny Carson" and penned the English lyrics for Frank Sinatra's "My Way."

Backed by a 12-piece orchestra directed by Jon Crosse, Anka surprised the crowd by singing "Take Me Down" as he entered the theater from behind the audience.

A native of Ottawa, Ontario, Anka wasted little time getting to "Diana," his mega-hit from 1957. While the song reigned supreme in the United States for just seven days, it topped the pop chart in Britain for nine weeks. "I'm so young and you're so old," Anka sang about the 19-year-old babysitter he had a crush on as a teenager.

The international superstar turned in his version of "For Once In My Life," the Motown hit for Stevie Wonder, before delivering "You Are My Destiny," his Top Ten composition from 1958.

Anka saluted Bobby Darin with "Mack the Knife," the Record of the Year for 1959 and followed with "(All Of a Sudden) My Heart Sings," another smash from '58.

As a video summarized his career, Anka sang "Times of Your Life," his hit from 1975. The song was originally a jingle for Kodak cameras.

Anka turned in an emotional version of "Papa," a song he wrote about the death of his beloved mother at age 39. She had encouraged her son's musical ambitions, listening his songs in the basement of their home before he sang them in public.

Knowing the audience was expecting to hear his early hits, the crooner reeled them off in quick succession, performing "Put Your Head On My Shoulder" (#2, 1959), "Puppy Love" (#2, 1960), "Lonely Boy" (#1, 1959), "My Home Town" (#8, 1960) and Eso Beso (#19, 1962).

Anka sang "Lonely Boy" in the motion picture "Girls Town," which also starred Mel Torme and Mamie Van Doren. "Puppy Love," meanwhile, addressed his feelings for Disney star Annette Funicello.

Showing his composing skills, Anka sang "She's a Lady," which he wrote for Tom Jones. Released in 1971, the song was the biggest hit Jones ever recorded.

On the eve of the 65th anniversary of the Allied D-Day landing at Normandy, Anka dedicated "The Longest Day" to the American heroes of that World War II battle. He wrote the theme song and made a cameo appearance in the 1962 movie of the same name. A giant American flag was displayed at the back of the stage as Anka sang the song for the Harris audience, earning him a standing ovation.

Anka played piano on "Do I Love You?" which included an attention-grabbing sax solo from Crosse, Anka's musical arranger since 1983. "More" followed.

The show returned to the 1950s when Anka played acoustic guitar on a song he wrote for Buddy Holly. "It Doesn't Matter Anymore" became a hit for Holly in the weeks after he was killed in a plane crash on Feb. 3, 1959. Anka and Holly became friends when they toured Australia together. "May he rest in peace," Anka said.

Anka continued the acoustic set with Don Gibson's "Oh, Lonesome Me" from 1958 and "Bye Bye Love", a 1957 hit for the Everly Brothers.

The full orchestra returned for "Hold Me Till the Morning Comes," which Anka recorded with the rock group Chicago.

Anka has written more than 700 songs, including "I'm Not Anyone" for Sammy Davis Jr. The casino audience was shown a video clip of Davis singing the song, which unfortunately did not become a hit for the late entertainer.

The 67-year-old Anka followed with "Jubilation," a tune he wrote for Barbra Streisand. The song was a showcase for demonstrating the instrumental versatility of Anka's orchestra and brought the audience to its feet.

Anka began a three-song tribute to Frank Sinatra with "Let Me Try Again (Laisse Moi Le Temps)." Anka and Sammy Cahn are credited with writing English lyrics for the French song.

"My Way," one of Anka's most-recognized songs, came next in the program. Anka had taken "Comme d'Habitade," by Jacques Reveau, Claude Francois and Gilles Thibaut, and applied his own lyrics to the song. "My Way" became a hit for both Sinatra and Elvis Presley.

"Theme from New York, New York," brought the Sinatra trilogy to a close.

Anka concluded his Las Vegas show with "Twist and Shout" and a brief reprise of the classic "Diana."

The prolific songwriter didn't perform "(You're) Having My Baby," "One Man Woman/ One Woman Man," "I Don't Sleep Alone," and "(I Believe) There's Nothing Stronger Than Our Love." All four hits were duets with Odia Coates from the mid-70s.

More than five decades after "Diana," Anka continues to dazzle audiences with his impressive songwriting and performance skills.

Judging from the shows he staged in the Upper Peninsula last weekend, Anka is likely to remain a top draw in Las Vegas and around the world for years to come.

Chuck Berry proves ageless

82-year-old Chuck Berry showed he could still
rock and roll during a concert at the Oneida Casino
in Green Bay on May 31.

By STEVE SEYMOUR

When Green Bay's Oneida Casino announced a concert appearance by guitarist and singer Chuck Berry, my wife Sue and I jumped at the chance to go.

With Berry now 82 years old, we didn't want to miss an opportunity to see the man who virtually invented rock 'n' roll.

Still, prior to the show at the 3 Clans Ballroom on May 31, we didn't know what to expect from the veteran rocker.

Sue and I saw Berry open and close the concert for the Rock & Roll Hall of Fame in 1995, and I had witnessed an outdoors Berry show back in 1972 when I was a student at Central Michigan University.

Berry has performed countless times since "Maybellene," became his first hit in the fall of 1955.

He not only sang and played guitar on his records, he wrote the songs, too. And they were terrific songs about girls, cars and school, subjects on every teenage boy's mind.

While Berry was racking up his hits, I was busy being a kid. By the time I started paying attention as a teen, Berry's glorious decade atop the pop charts was ending.

If U. S. fans were inexplicably losing interest in Berry, the British Invasion groups were using his songs to capture the hearts, minds and dollars of American teens.

The Beatles had hits with "Roll Over Beethoven" and "Rock and Roll Music." The Rolling Stones added "Little Queenie," "Carol" and 11 other Berry originals. More artists followed suit.

American groups didn't stay silent. Johnny Rivers made "Memphis" into a No. 2 smash and followed with "Maybellene." The Beach Boys' Brian Wilson copped the music to "Sweet Little Sixteen" for "Surfin' USA" and didn't credit Berry until he sued.

Dozens of groups used the Chuck Berry songbook to further their careers.

For his part, Berry kept touring. With his hits so well known, the songwriter often traveled by himself, using pick-up bands during shows. He knew any self-respecting musicians would know his songs. Consequently, some Berry shows were better than others.

Just a day before the Green Bay date, Berry was in New Orleans to perform at "The Domino Effect." Named after rhythm and blues giant Fats Domino, the event raises funds to help rebuild schools and playgrounds damaged by Hurricane Katrina. B. B. King and Little Richard were among the performers.

Following a 45-minute set by rockabilly sensation Li'l Gizzelle, Berry strolled on the Wisconsin stage with "Roll Over Beethoven."

Dressed in a sparkly red shirt and sailor cap, Berry was impressive on his Gibson guitar which unfortunately needed to be tuned several times during the show.

With the sound a little ragged, the rock 'n' roll icon followed with "School Days" and "Sweet Little Sixteen," the audience singing along.

"Do you remember this one?" Berry asked as he introduced "My Ding-A-Ling," his only chart-topping song. The novelty hit brought back memories of my college days when I saw Berry perform live for the first time.

Berry combined "Carol" and "Little Queenie," ending the medley saying, "That's it."

"You name it and we'll play it," Berry announced before launching into "Rock And Roll Music."

The St. Louis native forgot some of the lyrics but made up for it with a rousing rendition of "Johnny B. Goode," his Top Ten smash from 1958.

Berry sang about some of life's hardships with his version of the classic "Everyday I Have the Blues." He followed with "Reelin' & Rockin'," a B-side released in 1957.

The Rock And Roll Hall of Fame member enjoyed a strong year in 1964, despite the arrival of the Beatles, Rolling Stones and other British beat groups. For the Green Bay show, Berry performed three of his hits from that year: "Nadine," "No Particular Place To Go," and his self-described ballad, "You Never Can Tell."

"Brown-Eyed Handsome Man," with its autobiographical lyrics, also found a place in Berry's program. The rock 'n' roll pioneer played his composition, "Memphis," after asking the audience, "What are the first three words?" The song was a hit for both Lonnie Mack and Johnny Rivers.

Of course, no show would be complete without "Maybellene." As Berry played his first hit, he dramatically got down on one knee and back up again without missing a lick on his guitar.

For a concert-closing instrumental jam, Berry invited a dozen women on stage to dance. He even demonstrated his famous "duck walk," jumping on one leg while moving the other in a back and forth motion, not a bad feat for a man who turns 83 on Oct. 18.

Berry clearly had fun performing, telling the crowd he'd be "back within six months" and predicting he'd live to be 106.

The casino audience clearly loved Berry, and demonstrated the fact with plenty of cheering and applause. Nobody seemed to mind some forgotten lyrics and abbreviated songs.

Sure, the 75-minute show was a little sloppy, but fans seemed happy Berry was still willing to entertain them when he could just as easily be collecting royalty checks at home.

Berry's influence stretches far and wide.

Rolling Stone included six of his songs on the magazine's "500 Greatest Songs of All Time" list in 2004: "Johnny Be Goode" (7), "Maybellene" (18), "Roll Over Beethoven" (97), "Rock And Roll Music" (128), "Sweet Little Sixteen" (272) and "Brown-Eyed Handsome Man" (374).

Musical acts as diverse as the Grateful Dead, Jimi Hendrix, AC/DC, Elvis Presley, Bruce Springsteen, Judas Priest owe a debt of gratitude to the man from Wentzville, Missouri.

So do all the fans who've loved his music for more than half a century.

Thanks, Chuck, for showing us how to rock, and for reminding us we don't have to stop.

Music festivals abound in U. P.

Erik Koskinen will open
Gladstone's Rockin' the Bay
Music Festival on June 12.


By STEVE SEYMOUR

If you want to enjoy musical entertainment in a festival setting this summer, the Upper Peninsula offers many worthwhile events.

More than a dozen festivals are scheduled, featuring a wide variety of musical offerings.

Some of these events, like Hiawatha and Grand Marais, have been going on for decades, while Gladstone's Rockin' the Bay is new.

Here are some details to help you decide which ones to attend:

Swamp Rock Bash, June 3-6, Stephenson

Featured entertainment for the 9th annual event includes Strutter, a Kiss tribute band; Free Fallin', saluting Tom Petty; and Jasmine Cain. Born in Sturgis, South Dakota, Cain has been playing for major motorcycle rallies for much of her career. For details go to swamprockbash.net.

Thunder Fest, June 6, Brimley

Sponsored by the Bay Mills Resort & Casinos, Thunder Fest is billed as a "veterans charity biker/ musicfest on the shores of Lake Superior." The evening concert features Bobby Friss, the Outer Vibe, and blues band Measured Chaos. Part of the proceeds will be donated to the D. J. Jacobetti Home for Veterans in Marquette. Go to thunderfest.baymills.org for details.

Rockin' the Bay Festival, June 12-13, Gladstone

This is the first of what organizers hope will be an annual event. Seven acts covering jazz, blues, Americana, rock and rockabilly will be presented. Friday's line -up includes Erik Koskinen Band, Alex Wilson Band and Hillbilly Voo Doo Dolls. Saturday's entertainment features Ben Durbin's Modern Antiques, Molly Maher and Her Disbelievers, Cadillac Kolstad & the Flats and Randy Weeks. Rockin' the Bay is sponsored by the Gladstone Yacht Club and supports the Gladstone Schools' Fine Arts Dept. For details call 428-4924.

Jam Dam Jamboree, June 26-28, Wilson

Among the performers at this year's Jam Dam Jamboree will be Grassfire, an Escanaba-based bluegrass combo.

U. P. Hog Wild, July 17-19, Kingsford
Held at Lodal Park, U. P. Hog Wild is actually a championship barbecue competition, antique car show and music festival. The featured acts this year include Pink Houses, Johnny Wad, Fat Brass, Inc., Big Mouth, Red, White & Blues Band, Next Myle and Whiskey Stil. For more information, go to uphogwild.com.

Hiawatha Traditional Music Festival, July 17-19, Marquette

This year marks the 31st annual Hiawatha Festival, held at Tourist Park. Entertainment includes bluegrass, old-time, Cajun, Celtic, blues and folk music. Scheduled acts include Tangled Roots, Derrell Syria Project, Lucy Kaplansky, Cafe Accordion, Mamadou Diabate, Josh White Jr., Rhythm in Shoes, Stairwell Sisters, Feufollet and Pat Donohue. For details, go to hiawathamusic.org.

Aura Jamboree, July 17-18, Aura

In case you didn't know it, Aura is located 15 miles north of L'Anse in Baraga County. The 33rd edition of the Jamboree presents regional bluegrass and acoustic musicians playing inside Aura Hall and jam sessions all over the grounds. First called "The Fiddlers Jamboree," the event raises funds for the Aura Community Hall. Tickets are $5 per day. For details, go to CopperCountry.com

Motongator Joe's Country Music Festival, July 22-26, Wallace

Put together by Joe Grinsteiner, also known as Motongator Joe, this is the 13th annual event. Featured entertainers this year are Buddy Jewel and Tommy Horton. The 120-acre festival grounds can accommodate 5,000 music fans. For details, go to bigtimecountry.com.

Woodtick Music Festival, July 30- Aug. 2, Hermansville

The 16th annual Woodtick will again feature a main stage and an acoustic "front porch." Main stage performers on Friday include: Acoustically Challenged, Bordertown, Next Myle, Schizophonic and Billy Shears Show. Saturday's line-up is Sawdust Symphony, Rainbow Stew, Suns of Memphis, Flat Broke Blues Band, Bad Axe Rodeo and Night Train. Sunday's acts are Norton & Chartier, Bill Martin & the Blasters and Woodtick Jam. Entertaining at the front porch are Buffett Bash, Bounty Hunter, Willow Ridge, Grassfire, Sawdust Symphony, The Martinz, Cosmic Bob, Fossil, WG3 (Whitens Generation Three), and Crooked Creek. For more information, contact brian@woodtickfestival.com

Grand Marais Music & Arts Festival, Aug. 7-9, Grand Marais
Friday's line-up features Tanglemere and the Town Pants for the 28th annual event. Performers on Saturday include Greg Koons, the Overtones, Red, White & Blues, the Harvestmen, Charlie's Root Fusion and Macpodz. Sunday's schedule features Grassfire, New Third Coast and Cabin Fever. For details, visit their website.

Mackinac Island Music Festival, Aug. 18-20, Mackinac Island

Presented by the Mackinac Arts Council and Great Turtle Festivals, the 5th annual event will feature Mitch Ryder and the Detroit Wheels on the 19th at Mission Point Resort Theatre. The festival will also stage a recreation of the Band's "Last Waltz," performance as seen in the film directed by Martin Scorsese. Other weekend entertainers will be Kraig Kenning, Ash Can Van Gogh, Barbara Payton, Michelle Chenard and the Forbes Brothers. For further information, go to MackinacIsland.net.

Porcupine Mountains Music Festival, Aug. 28-30, Ontonagon

This year marks the 5th annual event, held at the Ski Hill and Chalet area of the Porcupine Mountains State Park outside Ontonagon. Entertainers include Cadillac Sky, Clumsy Lovers, Gandolf Murphy and the Slambovian Circus of Dreams, Deke Dickerson & the Eccofonics, Pieta Brown, Seth Bernard and Daisy May, Drew Nelson, Charlie Parr and Reverend Eddie Danger. For details visit porkiesfestival.org.

Marquette Area Blues Fest, Sept. 5-6, Marquette

Staged at Lower Harbor Park, Blues Fest is now in its 6th year. The Saturday performers are Zydecology, the Original Delta Fireballs, Biscuit Miller and the Mix, Gina Sicilia and James "Super Chikan" Johnson. Millie Street, Reverend Sexton, Maurice Davis, Curtis Salgado and Smokin' Joe Kubek & Bnois King will entertain on Sunday. There's also a don't-miss after party for fans who can't get enough of the blues. For details, visit marquetteareabluessociety.org.

Like thousands of other fans, my wife Sue and I are planning to attend some outstanding music festivals around the Upper Peninsula this summer.

Maybe you should, too.

Vincent rocked at U. P shows

This promo photograph was used to publicize
Gene Vincent 's 1960 Escanaba show.

By STEVE SEYMOUR

When rock legend Gene Vincent, known for "Be-Bop-A-Lula," appeared in Escanaba near the end of 1960, he had been on an emotional roller coaster.

As fans filed into the William W. Oliver Auditorium on Dec. 29 to witness Vincent's fabled stage show, they were probably unaware of what the performer had gone through during the previous 12 months.

Vincent started the year with a tour of American Air Force bases, then found himself on a hugely-popular British tour titled "Anglo-American Beat Show." His good friend Eddie Cochran, the Minnesota native responsible for "Summertime Blues," shared the stage with Vincent.

Eddie Cochran

On Jan. 12, he appeared with Cochran on the British variety show "Boy Meets Girl." The two entertainers performed at the Empire Theater in Glasgow on Feb. 1 and ended a 12-week tour of the British Isles on April 16.

But, after that final show, tragedy struck. A taxi carrying the two singers and Cochran's fiancee, Sharon Sheeley, blew a tire and struck a concrete post on the way to London airport. Vincent and Sheeley survived, but Cochran died at the hospital.

Vincent sustained a broken collarbone, fractured arm and cracked ribs. He also suffered additional injuries to his left leg, which doctors had nearly amputated following a motorcycle accident in Norfolk, Virginia, years earlier.

Born in Norfolk, Vincent was given his first guitar at age 12. Despite his interest in music, he joined the Navy in 1952.

Shortly after he re-enlisted, the Triumph motorcycle Vincent was operating was struck by a car. Doctors saved Vincent's leg, but the Navy issued him a medical discharge and orders to wear a leg brace.

With his Navy stint over, Vincent formed the Blue Caps and won a talent contest sponsored by Norfolk disc jockey Bill "Sheriff Tex" Davis, who was soon managing the group.

By the summer of 1956, Vincent had written "Be-Bop-A-Lula" with Davis and watched it become a number seven hit for Capitol Records. The song charted for 20 weeks and launched Vincent's career in rock 'n' roll and rockabilly.

Vincent performed "Be-Bop-A-Lula" in the film "The Girl Can't Help It."

The singer-songwriter-guitarist burnished his reputation with an appearance in four motion pictures, including "The Girl Can't Help It," starring Jayne Mansfield. Dressed in black leather and blue denim, Vincent's biker look in the film was widely copied.

Gene Vincent and His Blue Caps enjoyed another hit in 1957, when "Lotta Lovin'" went to number 13. "Dance to the Bop" followed.

Vincent's reputation grew when he appeared on television programs hosted by Ed Sullivan, Dick Clark and Steve Allen.

By 1959, the Capitol Records recording artist had discovered audiences in England, France, Japan and Australia eager to see his raucous stage show.

Eddie and Gene

Those shows were twice as exciting when Vincent teamed up with Cochran, another talented guitarist and dynamic live performer. When the calamitous road mishap claimed Cochran, his single at the time was "Three Steps to Heaven," which topped the charts in the United Kingdom.

Although he sent flowers for Cochran's funeral service, Vincent was too devastated to attend. He was discharged from the hospital on April 19 and returned to the United States the next day.

Still, Vincent returned to London and was back on tour on April 30. He booked time at Abbey Road Studio on May 11 to record "Pistol Packing Mama" and "Weeping Willow." The single reached number 15 in the UK.

Vincent's sixth long-playing record, "Crazy Times," was also released during the year. His wife Darlene gave birth to a son, Gene Vincent, Jr., although fans were still being told Vincent was single.

In the early 1960s, Vincent toured the upper Midwest, playing shows for $300 a night.

Now, the Upper Peninsula was calling. Vincent, then 25, agreed to appear in concert at the Junior High auditorium for two shows on Thursday, Dec. 29, 1960. The events were sponsored by the Escanaba Band Boosters and Escanaba High School Fan Club, with proceeds being used to buy new band uniforms.

Admission to the matinee was 60 cents, while entry to the evening show cost $1. Tickets were sold at Delta Music Center, Gust Asp's and Advanced Electric Co. Advanced stocked Vincent's albums and the High Lights' single for interested customers.

A newspaper advertisement promised Vincent's show would be the "greatest Rock and Roll jamboree ever presented in our town." It urged readers to "fall in and make this scene, it's the absolute end." The notice promised the star would "rock it up in person."

Vincent did not appear with his Blue Caps as fans may have expected, but instead performed with members of the High Lights, a combo from Austin, Minnesota. Led by drummer Al Anderson, the group also included Gary Bailey, Bob Bulger, Dale Olsen and Barry Rush. They were known for their recording, "Ah So," an instrumental released on Play Records.

Certainly, Vincent played "Be-Bop-A-Lula" during his Escanaba shows, but the remainder of those long-ago setlists might never be known.

Bob Hanson

Although guitarist Bob Hanson did not play with Vincent during the Escanaba show, he did perform with him at a gig in Iron Mountain. "I remember it was about 20 below zero and we didn't have much of a crowd," Hanson told me.

Vincent played "Baby Blue," "Be-Bop-A-Lula" and "Bluejean Bop," Hanson recalled. The audience also heard Vincent perform "Corrina, Corrina" and many other songs.

"He had a marvelous voice," Hanson added.

"You had to be crazy and do crazy things on stage with him that no other band would do in those days. We had a lot of fun working with him."

Piano player Roger Johnson relates another story when Vincent had to travel overnight from Hancock to a Canadian show. Vincent had recently returned from England and Cochran's death was probably still on his mind.

"It had been snowing heavily and I drove the road manager's car, with Gene in the passenger seat. The poor man was scared to death all night long, while the road manager slept in the back seat, oblivious to everything," Johnson recalled.

Vincent never regained the momentum he enjoyed before Cochran's untimely death.

The hectic life of a touring musician took a toll on Vincent, who continued to suffer chronic leg pain throughout his life. Wedded bliss escaped him as he was married and divorced four times. Mood swings and bouts of drinking disrupted his life.

The end came on Oct. 12, 1971 when Vincent ruptured a stomach ulcer in a fall at his parents' house in Newhall, California and died an hour later. He was 36 years old.

"When people find out I worked with Gene, they all want to hear his music which I know inside out," said guitarist Hanson, who still performs a few nights a week in Florida. "I can assure you he was one of the nice guys in show business and died at a much too early age. At one time, he was as big a star as Elvis."

Cocker's gruff vocals entice fans

Veteran rock singer Joe Cocker performed at
the Island Resort and Casino in Harris last weekend,
showcasing his uniquely gritty vocal style.

By STEVE SEYMOUR

Rock 'n' roll singer Joe Cocker demonstrated his unmistakable vocal abilities during two shows at the Island Resort and Casino in Harris last weekend.

The veteran performer, born in the northern England steel town of Sheffield, tore through a 16-song set spanning four decades.

My wife Sue and I watched in awe from the third row during the May 9 concert.

Cocker led an impressive eight-piece band which included Laurie Wisefield (guitar), Mike Finnigan (Hammond B3 organ), Nick Milo (piano), Norbert Fimpel (sax and congas), and Nichelle Tillman (vocals). The rhythm section was anchored by bassist Oneida James-Rebeccu and drummer extraordinaire Kenny Aronoff, known for his appearances with John Mellencamp and John Fogerty, among others.

During the 90-minute program Cocker, dressed in black, mesmerized the audience just as he had at the Woodstock Music Festival in August, 1969.

Known for his wailing interpretations of songs written by others, Cocker gave especially powerful renditions of his songs, considering he'll turn 65 on May 20.

"Hitchcock Railway," an album track from Cocker's second long-player, opened the show, with the band instantly finding a groove behind Cocker's sandpaper vocals. Aronoff was quick to show-off his muscular drumming technique which has made him a well-known session player. Cocker's physical delivery included pounding some keys on his "air organ."

Cocker rolled-up his sleeves and got down to business with "Feelin' Alright," a track composed by Dave Mason and contained on Cocker's first album, "With a Little Help From My Friends," released in 1969.

The iconic performer followed with "The Letter," a Top Ten hit from 1970's "Mad Dogs and Englishmen" disc. Milo and Finnigan dished out some tasty keyboard work to accompany Cocker's gritty singing. "The Letter," was first made popular by the Box Tops in 1967.

Next, Cocker reprised a trio of hits from the 1980s.

"When the Night Comes," written by Bryan Adams, reached number 11 for Cocker in 1989. The live version included an intriguing guitar solo by Wisefield, a former member of Wishbone Ash.

Cocker's sole chart-topper followed. He smiled when the crowd recognized "Up Where We Belong," a duet he originally performed with Jennifer Warnes. The song appeared in the 1982 movie soundtrack for "An Officer and A Gentlemen."

Tillman soared as Warnes' replacement for the concert version of the hit, composed by Buffy Sainte-Marie, Jack Nitzsche and Will Jennings. The audience showed its approval with a standing ovation.

"Shelter Me," released in 1986, included an appealing sax solo from Fimpel and a few well-placed screams from Cocker.

"You Are So Beautiful," a ballad from 1974, drew renewed attention to Cocker's raspy vocals. The tune, from Billy Preston's catalog, earned Cocker and the band another standing ovation.

Cocker picked-up the with pace with a stunning version of the Beatles' classic "Come Together," recorded for the film "Across the Universe." The propulsive number was one of the highlights of the show.

Andy Fairweather Low's "Hymn For My Soul," title track from Cocker's 2008 album of the same name, followed. The compact disc includes cover version of songs written by Bob Dylan, George Harrison, Stevie Wonder and others.

Cocker returned to the 1980s for "You Can Leave Your Hat On," written by Randy Newman. The song was featured prominently in the motion picture "Nine and One-Half Weeks" and lured women from the venue's seating to the front of the stage.

Since Cocker readily acknowledges the influence of Ray Charles in his vocal style and stage mannerisms, "Unchain My Heart" was especially striking. Charles made the song a hit in 1962.

After a lengthy intro, Cocker and his band-mates delivered a frenetic take on "With a Little Help From My Friends," another gem penned by John Lennon and Paul McCartney. The song was Cocker's first hit and featured the guitar work of Jimmy Page on the studio version.

On stage, Aronoff's wild drumming and Cocker's patented screams packed the classic song with an excitement just hinted at in the Beatles version. Cocker ended the number with four jumps. On the last leap, he flashed the peace sign with both hands, then left the stage.

For the encore, he belted out Leon Russell's "Delta Lady" and gave his lungs a work-out with a third Lennon-McCartney tune, "She Came In Through the Bathroom Window." Both tracks were from his self-titled 1969 album. Cocker returned to 1970 for a heartfelt performance of "Cry Me a River," originally a hit for singer/actress Julie London in 1955.

During a second encore, Cocker put a soulful stamp on "Long As I Can See the Light," a John Fogerty road song released by Creedence Clearwater Revival in 1970. "Put a candle in the window, 'cause I feel I've got to move. Though I'm going, going, I'll be home soon," Cocker sang.

Cocker, however, won't be getting home in the near future. He's currently on a lengthy North American tour and remains a popular concert draw in Europe and around the world. While other people his age may be retired or wishing they were, Cocker is obviously still enjoying himself on stage.

So, it was a pleasant surprise when the singer left cheering fans with a pledge: "I'll come back some other time."

Vietnam derailed Henchmen VI

The Henchmen VI played the Upper Peninsula from
east to west, recorded a 45 rpm single and were poised
for greater success when the Vietnam War broke up the band.
Standing, from left: Joe DeHut, Jay Jackson, Jeff Jackson,
Scott Heinski and Bob Durant. Seated: Art Moinlenen.

By STEVE SEYMOUR

When Ontonagon's Henchmen VI rock group pursued their musical aspirations in the mid-1960s, the Vietnam War loomed menacingly on the horizon.

Started by Joe DeHut (rhythm guitar, vocals), the Henchmen VI also included Scott Heinske (vocals and lead guitar), Bob Durant (bass and vocals), Art Moinlenen (organ), brothers Jay Jackson (drums) and Jeff Jackson (tambourine).

Jeff Jackson was considerably younger than the other members of the group and was added for his ability to move about the stage and fire-up the crowd, DeHut said. Another sibling, Dean Jackson, played bass in the band for a brief period, giving the rhythm section a double punch.

Heinske and Durant hailed from the tiny community of White Pine, while the others were from Ontonagon where the band conducted practice sessions on the second floor of the local fire hall. "Nobody cared how much noise we made," DeHut told me.

Because there was a Marquette band also using the Henchmen moniker, the Ontonagon group added the Roman numerals to their name to avoid any confusion. The VI referred to the number of musicians in the band.

The band played popular songs, mostly from British groups like the Rolling Stones, although they also boasted a pair of originals penned by Heinske.

Like many other Upper Peninsula bands looking for increased exposure, the Henchmen VI traveled to Negaunee to perform for a March of Dimes Telethon on WLUC-TV6. Brief footage of their appearance is included in a 50th anniversary documentary prepared by the television station, "Lights, Camera, Action."

Distance didn't seem to bother the Henchmen VI. They played at the Soo Armory at the eastern end of the Upper Peninsula and in Ironwood on the west end, as well as neighboring Hurley, Wisconsin.

In early March, 1967, the band made a 250-mile trip to Cuca Studio in Sauk City, Wisconsin to record "All of the Day" and "Is Love Real" for a 45 rpm single.

With studio owner James Kirchstein at the controls, the band laid down instrumental tracks first, then vocals, for both songs.


Guitarist Joe DeHut, drummer Jay Jackson and brother Jeff at Cuca Studio.

"All of the Day" features jangly guitars, reminiscent of the Byrds, famous for "Turn, Turn, Turn," a top hit in 1965.

"Is Love Real," meanwhile, includes a fierce guitar solo. In the lyrics, Heinske pleads: "Tell the truth now. Is love real? Or, is it just something to steal?"

Both songs were recorded in the period of one hour, DeHut remembered. "All of the Day" clocked in at 2:35, while "Is Love Real" lasted all of 2:10.

Kirchstein also published Heinske's songs, as was the usual practice at the time.

The Henchmen VI paid Kirchstein $250 for his services, which included a number of 45s for the band to sell at shows. The single was given the catalog number 6731.

Back in the Upper Peninsula, DeHut, Heinske and the others waited impatiently for their order of 45s to arrive. Kirchstein shipped the records to Baraga by Greyhound bus. When the Henchmen VI finally took possession of the box they discovered it had been opened in transit and that many records were damaged or missing.

The records which survived carried a label which included the drawing of a figure with a sombrero taking a siesta.

Few copies of the 45 exist today, although the songs have appeared on a compact disc, "Garagemental," issued by Ace Records in 2006.

While the shipping fiasco was disappointing, the Henchmen VI were also aware that the Vietnam War was intensifying.

On April 20, 1967, sparsely-populated Ononagon County lost two U. S. Army soldiers to the war: SP5 Ernest Skinner and SP4 William Lundberg. Sgt. Kenneth Somero died the previous year.

"We knew we were doomed," DeHut said about the future of the band.

Although their career lasted just two years, the Henchmen VI enjoyed a number of accomplishments. They opened for the Left Banke when the New York-based combo, known for "Walk Away Renee" and "Pretty Ballerina," performed in Negaunee. "The audience seemed to like us better because we played the songs they wanted to hear," DeHut remembered.

DeHut still has a trophy the Henchmen VI took home for winning a Battle of the Bands contest in Ironwood.

DJ Chuck Gervasio, left, and guitarist Joe DeHut.

Their Cuca single also earned some airplay for the Henchmen VI. The record was played on WSOO in Sault Ste. Marie by disc jockey Chuck Gervasio, now owner of WUPM in Gogebic County. Radio stations in Ironwood and Duluth, Minnesota broadcast the recording too.

The Ontonagon sextet also recorded with Rob Kirk, a singer, guitarist and songwriter from Sault Ste. Marie, but due to a monetary dispute, nothing was released, DeHut said. Another song, titled "Girl Talk," credited to Rob Kirk and the Word was issued on Cuca in June, 1967. Kirk played some dates with the Henchmen VI where the two acts would alternate songs, DeHut recalled.

While the Henchmen VI talked to a promoter about playing the fair circuit, Uncle Sam soon came calling.

The group played together for the last time at a reunion show at Ironwood's Memorial Building in the fall of 1967.

Heinske, a member of the White Pine High School Class of 1967, was drafted first. DeHut joined the Air Force and served in Thailand. Durant and Moinlenen enlisted in the Navy. Jay Jackson was also drafted into the Army and served in Vietnam, DeHut recalled.

Today, the members of the Henchmen VI are dispersed around the country. Only DeHut remained on Ontonagon. He performs each week in a Christian band called Victory 8:28, at White Pine United Methodist Church where his wife Rosemary serves as pastor.

For his service in Vietnam, SP4 Heinske was awarded the Purple Heart and Bronze Star. The Vietnam War hero continued honing his music skills throughout his life.

Sadly, Heinske died at home in Garner, North Carolina on May 30, 1997 after a long illness. The Henchmen VI's singer, lead guitarist and songwriter was just 48 years old. Heinske was buried at the Raleigh National Cemetery in Wake County, North Carolina, on June 5, 1997.

Due to the Vietnam War, Uncle Sam took a toll on the Henchmen VI, but they left their mark with two memorable recordings and a measure of patriotism which can't be denied.

MORE HENCHMAN VI PHOTOS


The Henchmen VI with Rob Kirk (in red shirt).


From left, Jeff Jackson, Bob Durant and Joe DeHut performing.


The Henchmen VI with seven members.

Rhythm Rockers hit right note

This promotional photo of the Rhythm Rockers
was taken at DeMott's Photo Studio in Hancock. Clockwise
from top are Dick Patana, Mike Kadletz, Jerry Tahatinen
and John Patana.


By STEVE SEYMOUR

The Upper Peninsula's Rhythm Rockers issued 45 rpm records and performed hundreds of shows during a career which lasted more than a quarter century.

Formed in 1958, the original Rhythm Rockers were Richard "Dick" Patana (sax, guitar, vocals), brother John Patana (bass, keyboard, accordion, vocals), Tom Hiltunen (guitar) and Jerry Tahatinen (drums).

The four musicians were teenage friends in the tiny Copper Country community of Alston, 13 miles west of Baraga.

One of their earliest performances took place at a dance at a roller rink in Ontonagon, and the band's reputation grew as they played throughout Michigan and neighboring Wisconsin.

Their recording activities culminated in the early 1960s, when both their singles were released on their own Copper label.

For their first foray into the studio, the Rhythm Rockers traveled to Lansing to tape "Count Down" and "Unchained Melody."

Written by Alex North and Hy Zaret, "Unchained Melody" was one of the most popular songs of the 20th century, spawning over 500 versions. Les Baxter took the song to the top of the pop singles chart in 1955, while the Righteous Brothers released their hit version in 1965.

"Unchained Melody" was chosen to record because it was the most popular slow song in the Rhythm Rockers' repertoire, John Patana told me.

Their take was paired with "Count Down," an original tune composed by Dick Patana. That song is a lively surf instrumental, recalling the Ventures.

The Rhythm Rockers ordered 5,000 copies of "Unchained Melody" which they sold to band patrons between sets for $1 each. John Patana said he worked hard to sell the single during band breaks because each member got to pocket the money from the copies he sold.

To publicize the record, the band had a promotional picture taken at DeMott's Photo Studio in Hancock. The photos were inscribed with the words: "Copper Records Recording Artists." Labels for their records were customized with the drawing of a copper ingot.

The band dispatched many copies of "Unchained Melody" during the summer of 1961 when they served as the house band at the Forest Inn in Munising.

During this period, teenager Mike Kadletz (guitar, vocals) joined the band as a replacement for Hiltunen, while Larry Sabourin assumed the drummer's position when Tahatinen took a job with United Parcel Service.

In December, 1962, the band traveled to Cuca Record Corp., located in Sauk City, Wisconsin, armed with two more songs written by Patana. "Bad News" was a rockin' number with vocals, which related the school and car troubles of a teenager anticipating a date on Saturday night with a "really sharp chick."

The flipside was sax-powered instrumental called "Twilight."

Both songs were taped by Cuca owner James E. Kirchstein, who also published the tunes. For the 45 rpm single, the pairing was given catalog number C-1006. The band ordered 2,500 copies to sell at gigs, John Patana recalled.

"Bad News," a catchy track reminiscent of Eddie Cochran's "Summertime Blues," was released on compact disc in 2006. The track appears on "Cuca Records Story, Vol. 3, Rockin' in Wisconsin," issued by England's Ace Records. The CD package includes an often- informative booklet by writer Rob Finnis, who admitted he knew little about the Rhythm Rockers, or even who was in the group.

The Rhythm Rockers also recorded "Lonely Lover" at the Cuca studio, but that song wasn't released.

Although they occasionally surface on eBay, the two Rhythm Rockers 7-inch singles are now hard to find.



The Rhythm Rockers were one of the most popular
bands in the Upper Peninsula for decades. From left are
Dick Patana, Mike Kadletz, Larry Sabourin and John Patana.

Early in their career the Rhythm Rockers were able to boast two 45s as the group booked engagements around the region. The band presumably played live versions of their recordings when they entertained at the Senior Ball at Escanaba Area High School on April 26, 1963.

The Rhythm Rockers played another memorable prom in 1963 at Rapid River High School where John Patana met Brenda Moser. They were married in 1964.

Group leader Dick Patana once estimated the Rhythm Rockers played at almost 400 different venues over the years. They appeared often on the March of Dimes telethon broadcast live by WLUC-TV6 in Marquette.

The band maintained a professional look, always appearing for engagements in custom jackets made in New York City, Brenda Patana recalled.

At their peak, the group commanded $1,500 per night, and were household names throughout the Upper Peninsula. At one point they were booked for a year and one half in advance.

In Escanaba, the Rhythm Rockers played teen dances at Teamsters Hall, and were often the featured entertainment at Skinny's Bar. They were also regularly booked into Bill's Bar and the Swallow Inn, competing bars in Rapid River.

Escanaba radio stations WDBC and WLST added the Rhythm Rockers' singles to their playlists due to strong local demand.

Playing whatever people wanted to hear, from polkas to pop, the Rhythm Rockers were a popular choice for wedding receptions throughout the Upper Peninsula.

Through the years, they were joined by Jack Rogers; Mark Pyykkonen; Tom Kemp; brothers Hank and Dale Mroczkowski; and Brenda Patana, who sang pop, rock and country songs.

During their career, the Rhythm Rockers played back-up for Conway Twitty, famous for "It's Only Make Believe," and shared the stage with Stonewall Jackson, who recorded the top country hit, "Waterloo."

The U. P. combo took the Rhythm Rockers name after they saw it in Hit Parader magazine. It was a catchy moniker, easier to say than write. Many people, including school superintendents, couldn't spell it, John Patana said.

At least ten other acts recorded under the same name, according to music historian Gary E. Myers.

Although the U. P.'s Rhythm Rockers disbanded in the mid-1980s, they staged several reunions, including one at the Swallow Inn in 1987 and another in L'Anse in 1996.

Dick Patana carried on with other musical groups including the Weekend Cowboy Band. He also performed as a solo artist for many years.

In 2001, Patana won an Elvis Presley sound-alike contest in Florida and was awarded a recording session at M & M Studios in Spring Hill, Florida. There, he recorded a full-length album with studio musicians called "Doin' My Thing, Vol. 1."

The 12-track compact disc included some of Patana's favorite songs: Freddy Fender's "Before the Next Teardrop Falls;" Louis Armstrong's "What a Wonderful World," and Roy Orbison's 1960 smash, "Only the Lonely." In "To All the Girls I've Loved Before," Patana imitated the voices of Julio Iglesias, Willie Nelson, Elvis, cartoon character Elmer Fudd and Mr. Ed, television's talking horse.

Tragically, Dick Patana died in a traffic accident just two years later at age 62. The fatal mishap occurred on Sept. 8, 2003 on Highway U.S. 41 near Alberta in Baraga County. Patana's wife, Sandra was seriously injured. The Patanas had spent their winters in Florida, but returned to Houghton for the summer months.

Two members of the Rhythm Rockers, John Patana and Mike Kadletz, both reside in the Rapid River area and remain close friends. Kadletz performed with the Full Circle Band last year, while Patana has appeared at Rapid River High School talent contests.

Today, the Rhythm Rockers still evoke powerful memories from many people, including Clark Sullivan, lead singer of the Excels, a Marquette-based rock band which released five 45 rpm singles in the 1960s and toured the midwest extensively.

"If there was any group in the Upper Peninsula that stood out, in my opinion, and affected me the most, it was the Rhythm Rockers," said Sullivan, who has also recorded as a solo artist.

"Dick and John (Patana) became good friends and I respect what they accomplished. When I started in music, this was the group I wanted to emulate," he added.

"I remember seeing them when I was in high school and being completely blown away. Where most groups had just a lead singer with no harmonies, the Rhythm Rockers had three and four-part harmony. They could play and sing just about anything."

Rhythm Rockers Photo Gallery